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RANDY COLOSKY
  • Blue Dreams
  • The Color of Impermanence
    • clouds taste metalic
    • Incantation
    • The color of impermanence
    • Ice Capades
    • Yet Another Cold War
    • Ship in the Woods
    • Going to the mountain for the water spirit
  • Works for Sale
  • Public Art
    • RandyColoskyPublic
  • Contact
    • CV
    • Press
  • Archive
    • Exibitions >
      • M Theory Hosfelt Gallery Sf.Ca. 2005
      • Post Tool Similization Atlas Cafe 2004
      • The Ocean Refuses No River - Atlas Cafe SF 2007
      • The Circus Is in Town- Adobe Books Sf. Ca. 2008
      • Secret Handshake - Ampersand International Arts SF.Ca. 2010
      • FIAT LUX - Museum of Craft and Folk Art Sf.Ca. 2011
      • Infrastructures - K Imperial Fine Arts SF CA 2012
      • KALA Print Residency 2012
      • Drawing ShowGallery Hijinks SF. Ca. 2012
      • Chandra Cerrito Contemporary Oakland Ca. 2013
      • Root Division Sf.Ca. PERMUTATION UNFOLDING 2013
      • Space 1999
    • Select Installations >
      • The Air and Space Museum
      • The Shape of Things That Happen
      • Yes We Can
    • 3-D >
      • Cast Glass
      • Metal
      • Engineered Ceramic
      • Brick
      • Cast Bronze
    • 2-D >
      • Template Drawings >
        • Constellation Study's
        • Wavefunction/Blueprints
        • Turbulence
      • Oil on Linen >
        • Doing Lines
        • The Optimist
      • Prints
      • Shotgun Snowflakes
    • Videos

Randy Colosky’s Optimist Series are visual biographies that use simple line formations to elucidate the intricate personal history of the artist. Previously working in labor intensive and visually complex forms, Colosky reduces his practice to minimal and succinct gestures that quietly and confidently summarize the artist’s life to date.

The series is grounded in colorful line works that float solidly in negative space. Having worked as a house painter, the background of the works are akin to the drop clothes the artist used to protect the spaces he was painting in. Like in his Self Portraits series, the clothes become echoes of his process - their paint drips, oily gesso, and fingerprints signify moments, mistakes, and residue of experience. The collection of marks transcend their meaning and, in turn, serve as visual indicators of time, maturity, and progress.

​The lines are his paths of experience, following the twists, turns, and returns of life. Colors are tied to memories, line work is reminiscent of building and contracting jobs, the bleeding gesso becomes musical distortion from his time as a guitarist - the culmination of these gestures are climactic of the artist’s totality, a visual summation of his life. 

Calder Anderson


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